The Wild West may still be happening
in the Malheur National Wildlife Refuge
or at least a watered-down version of it.
News reports of men with guns
expressing their displeasure
with the Federal Government
by making a statement
via armed occupation
while relying on that self-same government
in the guise of the Post Office
for the delivery of snacks and sox
which, had they made provision for beforehand,
they would not have had to muddy up their message
so.
And the message?
taking back the land
for the people.
Begs the question, one might ask,
to which “people” are they referring?
The people from whom they wish to reclaim the land in question
are you and me and, yes,
even the occupiers themselves,
which is to say, being federal land,
the taxpayers.
Why would these occupying forces
wish to reclaim land
they already own?
So, it isn’t really about reclaiming the land
is it?
If not that, then what?
What drives these men
with their pickups and their guns
to go camping in the dead of winter
without any snacks
or extra socks?
To reclaim the land for the “people”
makes no sense
when the people already own
the land.
And what is so important
about their dubious quest
as to drive them to threaten an armed confrontation?
To engage in a game of chicken
with forces that could pluck their feathers with ease
were they inclined to do so.
The leader of this group
claims the refuge
constitutes an “unconstitutional presence”
in the country.
One wonders
where he gets his information.
Certainly not from a civics class!
One might assume they are in earnest
in choosing to forego snacks
and sox
in the hope that their logically challenged enterprise
might prevail.
One might also assume
the armed campers
seek to return the land to the “right” people
so that the wrong ones
can be designated as trespassers.
And one might reasonably assume
that their game of chicken
will, in the end,
cause them to be forced to eat crow.
Which, since they chose to enact their ill-fated drama
in a bird sanctuary
may not be an entirely inappropriate
outcome.
07 January, 2016
Tim Konrad
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